ILLUMINATION: Dimensions / Degrees – Da Vincis Last Supper And The Philosophers Stone

[Compendium]

Illumination has too much reading and not enough Olanzapine. Or it comes off that way for us lowly unitiated mortals that haven't fit the divine pieces together yet.

I would describe it years of intense para-dimensiona psychotherapy. Which amounts to years of being constantly and incessany mentally, emotionally and physically tortured

This understanding does not come easily

I'm sorry if it reads as pretentious

I am doing my best to offer what I understand as freely and simply as I can

For fun:

My favorite scales on the planet are Hungarian Minors. Gypsy scales. Love 'em. Especially the augmented 4th. With a C tonic the notes are; C, D, E♭, F♯, G, A♭, and B.

If you overlaid the scale it corresponds to; Bartholomew, Andrew, Judas, Thomas, James the Greater, Philip, and Simon the Zealot.

This is also a really dark scale. They were avoided by composers for the devil in music. Diabolus en musica, the augmented 4th, which was taboo..

But if you start with a C tonic, this "demonic sounding" scale augments itself past The Divine Feminine. The devil in music skips right over MARY (I agree with Dan Brown, that's not freaking John The Apostle), Jesus, and the Holy bloodline altogether. But only if you designate both halves of the sacred triangle, Mary and Jesus, as the 4th.

It's probably just coincidence, and not every tonic not works, but still, it seems it just takes a little effort to make unrelated things line up in trippy ways.

This piece uses a C minor with augmented notes in places.

One of my favourite pieces to play when I studied classical Piano was study in C minor by Carl Czerny

One of my favourite scales

One thing I found interesting, is why Leonard Da Vinci decided to use F root note

It seems to me, to be because of his decision to illustrate the "internalised" aspects of the 4th and 9th as being female





C# Major gives you 8 sharps with every semi-tone (black key)

Sharpening E to F, and B to C

G# Minor does to same, but with natural E and B

Within the phonetic sequence of dimensions, 9 is very literally "A", as in the word, not the letter. Corresponding directly with the A note (432hz/440hz)

Meaning the 1st position of the individual conscious in the phonetic sequence is C#

So it was very interesting to me that Leonard Da Vinci, using F, put the 9th tone (which should be an A) on C# (which should be the 1st tone)

Still much that needs to be worked out