ILLUMINATION: Dimensions / Degrees – Da Vincis Last Supper And The Philosophers Stone

[Compendium]

Illumination has too much reading and not enough Olanzapine. Or it comes off that way for us lowly unitiated mortals that haven't fit the divine pieces together yet.

I would describe it years of intense para-dimensiona psychotherapy. Which amounts to years of being constantly and incessany mentally, emotionally and physically tortured

This understanding does not come easily

I'm sorry if it reads as pretentious

I am doing my best to offer what I understand as freely and simply as I can

For fun:

My favorite scales on the planet are Hungarian Minors. Gypsy scales. Love 'em. Especially the augmented 4th. With a C tonic the notes are; C, D, E♭, F♯, G, A♭, and B.

If you overlaid the scale it corresponds to; Bartholomew, Andrew, Judas, Thomas, James the Greater, Philip, and Simon the Zealot.

This is also a really dark scale. They were avoided by composers for the devil in music. Diabolus en musica, the augmented 4th, which was taboo..

But if you start with a C tonic, this "demonic sounding" scale augments itself past The Divine Feminine. The devil in music skips right over MARY (I agree with Dan Brown, that's not freaking John The Apostle), Jesus, and the Holy bloodline altogether. But only if you designate both halves of the sacred triangle, Mary and Jesus, as the 4th.

It's probably just coincidence, and not every tonic not works, but still, it seems it just takes a little effort to make unrelated things line up in trippy ways.

This piece uses a C minor with augmented notes in places.

One of my favourite pieces to play when I studied classical Piano was study in C minor by Carl Czerny

One of my favourite scales

One thing I found interesting, is why Leonard Da Vinci decided to use F root note

It seems to me, to be because of his decision to illustrate the "internalised" aspects of the 4th and 9th as being female





C# Major gives you 8 sharps with every semi-tone (black key)

Sharpening E to F, and B to C

G# Minor does to same, but with natural E and B

Within the phonetic sequence of dimensions, 9 is very literally "A", as in the word, not the letter. Corresponding directly with the A note (432hz/440hz)

Meaning the 1st position of the individual conscious in the phonetic sequence is C#

So it was very interesting to me that Leonard Da Vinci, using F, put the 9th tone (which should be an A) on C# (which should be the 1st tone)

Still much that needs to be worked out

[IdeomotorPrisoner]

Perhaps I really didn't take it seriously and was unnecessarily catty, but there is a lot I didn't realize about music notes hidden in The Last Supper.

Apparently, it's in the hands and loaves of bread, and it corresponds to a melody starting on E. There's no notation for sharp and flat, unless that's depicted elsewhere. And it is said to be in C Major or A minor, and have an E root note. Which could be, but...

This also omits the 4th, as there is no depiction of an A note. Which makes me think people are forcing this into a natural Major/Minor.

You can go all day trying to work the 6 pitches allegedly depicted in The Last Supper into a 7 note scale. There are a few that skip over the A pitch, which, when starting in E sometimes requires an Augmented 4th. Like E - F - G - Bb, E - F#, G - Bb, or E - F - G# - B for example. I feel like it purposely deprives us the A to designate dissonance.

The notes they give you are; E - F - G - B - C - D - E.

Strangely, It appears the music in The Last Supper incorporates the aforementioned Diabolus en musica. Seems to have both an augmented fourth and tritone possibly depicted. I think they are missing a more harmonic scale in any case.

Meh, who knows, people could just be plotting hands and loaves of bread. And I suck at music theory.

[Sirius]

Hermes lute. The energy stuff is also hermetic.

anyways, this would all work around intuition

[Sirius]

I mean it's clearly the work of the trickster. Deception everywhere, people pointing here and there.  Who is the thief? What is being traded?

A message, or where to find something.  But it shouldn't all be hard, intuition is his thing. Hermes is quick and fast.  Maybe it made more sense in the original setting.

The windows is also his thing. Liminal spaces, liminal things always a clue.

[sahgwa]

 

 

Within image 13 you can see:

(13) FEMALE (MARY) is leaning outwards from her MALE EQUIVALENT (1) and EXTERNALISING
(11) MALE is leaning inwards INTERNALISING

The heads of (11) MASCULINE and (13) FEMININE come together as TWO HALVES OF A WHOLE

Which is counter to:

The outwards lean between her (13) FEMININE half and her externalised MASCULINE (1) half

Which is also counter to:

The space between internal (1) MASCULINE and his external MASCULINE (2) reflection

Likewise, as (3) creates space between (1) and (2), so too is (12) pushed outwards by the coming together of (11) and (13). Opposite ends, representing the masculine and feminine ends of the cycle of 13

When we look at the 3 windows, these represent the balance of internal and external cycle within a torus

(1) Jesus is centred INTERNAL, of the 1st sphere leaning towards the EXTERNAL masculine Thomas (2)

Counter to Thomas facing inwards, is Mary (13) with her head outside the window facing outwards

A good way to explain this is to picture these dimensions as being a round room, with 2 doors, one on each side of the diameter

One door on one side opens inwards. The door in the other side opens outwards

Jesus sits perfectly in the middle of the room, facing outwards at the door which opens inwards

Thomas stands just inside this door which opens outwards, facing the centre of the room

On the other side, Mary stands just outside the door which opens inwards, facing outsider

The important consideration within this, is that these directions are cyclical

Meaning that if Mary standing outside the door looking away was to go full circle to end up on the right of Jesus, she would superimpose perfectly

As would Thomas, if he went full circle around you the left of Jesus. He would superimpose perfectly over Mary

The door that is facing outwards, would become inwards, because outside would become inwards

Just the same as the door facing inwards, would become outwards the opposite direction in cycle, because inside became outside

It illustrates the cycles which promote all existence, which can only exist within a sphere that cycles inwards, outwards and through itself seamlessly. In all directions, at all times

This is the essence of TORUS, TORAH, HORUS, TAURUS

In the TORAH, these are explained (when translated correctly) within:

Internal - Beresh!t / Biology
External - Shemot / Geometry
Direction - Vayikra / Vectoring

Yes, Mary Magdalene is on Jesus' right, even though they say it is John.  She is the one representing the Divine Feminine, and she is the one who had to explain Jesus' teachings to the disciples.  A lot of them were quite simple.