01-18-2025, 10:41 AM
(01-18-2025, 10:27 AM)Compendium Wrote: Within the Eleusinian mysteries (which I have also been through) we teach this same principle using a female (1) core/centre/nucleus
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Notice how 3 in the painting holds their arms out, either side of their body. Like diameter (Demeter) stretching out from centre (Kore)
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As with 2 in the painting looking inwards at centre, radius (Hades) is the inward arc to centre (underworld)
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He takes Kore, then returns her in internal/external balance, from which we get physical structure and cycles like seasons
All of which can only exist within the structure and flow of a Torus / Taurus / Torah / Horus
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The structure is the same across all the mythologies and religions, it is just told in sightly different ways
All of them are describing the base dimensional construct for all creation. Which can only exist within one sphere, mirroring to another across 13 dimensions
Exactly what is shown in the symbol of the philosophers stone
The interesting part of this structure is ...
That for every internalised sphere, there then exists a mirror external sphere
And for every external, there is an internal
The 3rd and 11th degrees carry exponentially
What we call fractal recursion and decay
This structure is the key to everything we know. Hence why it is the "philosophers stone"
So without knowing whether or not your #2 subject is feminine or masculine, then your theory falls short.
Also, as to Da Vinci's method of painting and it's application in The Last Supper...I was taught the same method of subject positioning in my art lessons.
As well, Greek mythology is a hodgepodge of gender, perhaps also fractal in nature?:
Quote:In addition to Dionysus/Mise, several gods are referred to as "both male and female" or "both female and male" in the Orphic Hymns, including Selene, Athena, and Adonis. In Cyprus and Athens, an aspect of Aphrodite with male genitals and in some cases a beard, called Aphroditos, was worshipped.
https://en.wikipedia.org/wiki/Homoerotic..._mythology
"The real trouble with reality is that there is no background music." Anonymous
Plato's Chariot Allegory
Plato's Chariot Allegory