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Compendium · 01-18-2025, 04:49 AM

WITHIN REVELATION

THE TWO WITNESSES
Harmonious frequency

THE TWO WITNESSES KILLED AND RAISED
Major and Minor harmonious frequency

THE MARK OF THE BEAST
Frequency (Measure)

THE BEAST OUT OF THE EARTH
Timing (Interval)

Such as with the set-square and compass surrounding the G in the Freemason symbol

Which is no different to musical notation (such as treble clef "G"), written over a time signature denoting 4 beats per measure, from a particular given tempo

The reason that these principles found in music are so important, is because the structure of all spectrum of frequency act in exactly the same way as that of the sound spectrum

Light, physical matter ... everything

Everything is formed under the same layered structure (or seals) of frequency. Which keeps them both separate and together, within cycles of equilibrium frequency

As is shown in the last supper

I have only started going into the coding within this painting today. So this is as far as I have gotten

There does also appear to be deeper meaning within the items placed upon the table, possibly related to math and physics

I will try look this deeper at a later date, once I have been taught its relevance

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A couple other interesting points I should add, given to me my friends/teachers who suggested I look into Leonard Da Vinci's Last Supper

First, they make it very clear:

4, 13 AND 9 WERE ALL ORIGINALLY PAINTED AS FEMALES

This is because the dimensional aspects they represent are feminine in nature

In the Giampietrino copy of the last supper painted around 1520, you can see that the light facial hair and a pronounced chin that blends into the shoulder of the dress

I am told that there was no beard on the original painting

Meaning, they suggest that the original painted had already been modified by the time Giampietrino made his copy around 1520

Looking at the original, you can see pronounced chin and beard they claim was added after, appear to have faded within subsequent restorations and touch-ups

You will also notice that someone has attempted to make the nose more pronounced and masculine

One other thing worth noting, is that the paintings on the wall in the Giampiertrino copy from 1520, are very different from the simple designs that were claimed to have been on the original

Again, I am told this has been done intentionally

I am told the blotched colouring on the walls where the paintings should be, was done to "blot out" what was painted underneath

What was originally on the wall, appears to have been covered up intentionally

This, apparently, seemed to be the trend at a particular stage in history, where those such as the Church were censoring anything and everything without regard

I am told there were intricate paintings on the wall, which were a massive part of this masterpiece

Within such, you can see that those who perpetrated the defacing of this painting, took far less care in their alignment or perspective than the original artist

You can clearly see where they have "altered" parts within the painting

They tell me that the majority of this work has been massively altered from the original

Such as with the background and "dress" of the Mona Lisa

Such as with Michelangelo's "creation of Adam". Within which the "blue skies", are the work of censorship covering up what was painted beneath

I am told, however

In the case of the Mona Lisa and Michelangelo's "creation of Adam", that the paints used to cover up the original artwork were far cheaper quality than the paints that were originally used

Meaning that hopefully, with time, the "touch-ups" will slowly fade away to reveal what was originally painted underneath

You can already see this happening with these paintings

The highly detailed background, and originally clothing of the Mona Lisa are slowly being revealed

These are, apparently, just a few examples of paintings that have been defaced in this way

But I am told that in time, many of what was originally hidden will be uncovered